Chronically ill Steve Rogers

glegrumbles:

non-binary-bucky:

(The images in this should be collapsed to begin with because, well, one of them is a plate of raw meat that Steve is presumably eating for breakfast. The last image is a gif. Contains discussion of illness, treatments, ableism and eugenics. I should point out first that I don’t have any of these conditions other than asthma.)

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asker

Anonymous asked: Why are the Tiffany Aching series classified as young adult?

notbecauseofvictories:

Presumably because they involve a young woman coming of age and into herself, claiming her own authority and power and inner voice, while at the same time acknowledging her responsibility to the people around her and the community she is a part of, and for some reason, Terry Pratchett and his publishers were particularly keen on getting that narrative into the hands of teenagers

wonder why

djolteon:

Ever wonder what the world would be like when you leave the devil in charge?

(via thepageofhopes)

septembriseur:

stillazarafteralltheseyears:

You know what I find truly remarkable about this scene? Is not just that she JUMPS OFF A SPEEDING ALIEN VEHICLE HUNDREDS OF FEET ABOVE THE GROUND but that she knows the EXACT MOMENT to make the jump to not only hit the roof (which, at that height and speed is an incredibly small target) but to hit it at a point where she isn’t going to a) immediately crash into a wall or b) be carried by her momentum over the other side and down a gazillion stories to the ground.

Natasha had to calculate IN HER HEAD IN THE MIDDLE OF A BATTLE the velocity of the alien vehicle, the size of Stark Tower’s roof, how high she was above it (so she wasn’t so high she’d be killed just by the fall to the roof), how long it would take her to make the jump successfully, what position to hit the roof in to minimize the physical damage, possibly even half a dozen other things. A miscalculation either way—too soon or too late—would’ve killed her.

Yeah, when she describes someone genius-level smart in CA:TWS as “slightly smarter than her but only slightly,” she’s NOT KIDDING. Natasha is probably either just as or very nearly as smart as Bruce or Tony or Jane or Betty, her training just meant those smarts were put to use in a different way. And that it’s something she’s trained to manipulate people’s expectations of, just like with her sex. IMO, if Natasha asks to have something explained, it’s not because she doesn’t understand, it’s because she doesn’t want the person she’s asking to KNOW she understands. Because her stock in trade is getting people to underestimate her and then using that against them. And this scene is the proof. Because when no one is watching, she is BRILLIANT.

I think it’s really important to point this out and talk about the gendering of intelligence in the Marvel universe as a whole. There are very few Marvel female heroes who are presented as Geniuses in that classic high IQ/seven doctorates/can solve any problem/slightly insane way. In fact, the only major character who springs immediately to my mind is Valeria Richards, and she’s a child. 

In part, this is probably due to the fact that this kind of intelligence is not considered an attractive female trait, and the primary purpose of most female characters is to be attractive to men. But I think this gifset & commentary highlight another reason: because many female characters would have to be Geniuses (in that way that signifies possession of the quality that IQ tests are supposed to, but don’t necessarily, measure) to do what they do, but the ways in which they exhibit that Genius do not fit within the traditional (masculine) understanding. For instance, Natasha proved herself at a very young age to be someone who was capable of phenomenally rapid problem-solving, skill-adoption, and general learning. That’s how she survived. Where Tony Stark and Reed Richards et al received doctorates, the prize for her intelligence was staying alive. 

I think that the same is true of other female superheroes. I’m thinking also of Storm, who canonically is multilingual, a gifted and expert thief, and whose mutant power seems to include an incredibly complex insight into the mechanism of weather patterns. (She, like Natasha, is also adept at rapid problem-solving.) And Maya Lopez has the ability to learn almost any skill to perfection simply by seeing it demonstrated— I can’t remember what this is termed in the comics, but in real life it would certainly be labeled genius.

So why is the super-intelligence of these women not acknowledged? I think we all know the answer to that.

(via kate-wisehart)

pugletto:

Omg, so I’m actually not this bad at making screencap redraws or whatever.

Latin@ Lady & the Tramp this time.

(via bluemoon-darling)

potofsoup:

archeralli:

a weak and tortured bucky making sure steve gets to safety first

It’s because Bucky has a habit of letting Steve go first.

——-

1) Always let Steve go first up the stairs, so that you can keep an eye on him.  It’s easier to count Steve’s breaths and notice when Steve’s heart does that thing that makes him stop and shake.  Much easier to stop and pretend to tie your shoes while you wait, worried, than to realize 2 flights too late that Steve’s no longer with you. 

Later: Your limbs are sore and numb from being strapped to a table for 2 days and you’re pretty sure you haven’t eaten and the entire base might be exploding, but when Steve says “let’s go up,” you tell him to go first.

———-

2) Steve’s walk was mostly normal, though he swung his hips in a certain way to compensate for his scoliosis, and that put a special cadence to his stride that you unconsciously match. Even without Steve around you would twist your hip back before swinging your leg forward.  Twist, swing, twist, swing.

Later: Steve is leading the way through the forest, and you’re finally used to his height and broad shoulders and that dumb shield, but something still feels wrong.  Somehow your pace doesn’t quite match, and you can’t figure out why.

———-

3) Colors don’t work the same with Steve, so always describe unfamiliar objects by their shape and relative location, like that square window past the third door on the left, or the man wearing that unseasonably long coat standing in the corner by the garbage can.

Later: The boys are singing in the other room and you’re at the bar with Steve, trying very hard to get drunk because of course you’ll follow Steve into whatever but that doesn’t mean you have to do it sober.  “Steve,” you whisper, “Check out that lady by the door, next to that short thin guy who has his shirt open.”  Steve looks over.  “The one in the red dress?  That’s Miss Carter.”  You decide you need another drink.

———-

4) When walking down a narrow dark alleyway always stay on the right, because Steve’s bad ear makes the right side feel blind to him (though damn if Steve’d ever admit that).  On broad open streets, switch to Steve’s left side, so that Steve could hear you better through the noise.

Later: Dum-Dum gives you a weird look as you line up to charge into a Hydra base.  “Why won’t you take the left flank for a change?”  You start explaining Steve’s bad ear before you remember that he’s not that Steve any more, and that Captain America doesn’t have a bad ear.

———-

5) Stuff in your left pockets are for Steve: the asthma cigarettes that Steve could never afford, a dime for that popcorn that Steve likes, tickets for whatever shindig you’re trying to drag Steve along to. Sometimes you put things there for Steve and totally forget about it, like extra paper and a spare pencil in case Steve wants to doodle.  The left side always belongs to Steve.

Later: Steve is awfully quiet by the campfire.  You sit down by his good ear and reach into your left pocket.  “Hey,” you say, pulling out a news clipping about the war front that featured a lovely photo of Miss Carter.  “You read this yet?  They think Morita’s a Japanese defector, but the section on Dernier is priceless.”

———————-

Still later:

Report on the Winter Soldier reset procedures

After the latest test run, only the following anomalies remain:

A) The asset tends to hug the right walls and not the left, and hesitates for 30 microseconds before climbing stairs.  However, he does not hesitate when scaling walls or ladders.

B) When walking unopposed the asset has a characteristic and identifiable stride, which is dropped when he is making a covered approach.  

C) The asset communicates via relative locations, often omitting crucial color information.  However, he can be commanded to describe the colors of any object in impressive detail.

D) When dressing himself, the asset keeps his knives exclusively on his right side, and his left pockets are underutilized.  This may be an effect of continued unfamiliarity with the new left arm.

After extensive field testing, we have determined that these anomalies do not impede the asset from completing his missions, and declare the reset process complete.

—————————

[basically the textual partner to the colorblindness comic]

[The rest of my Captain America stuff]

(via ineloquent-tumbling)

nillia:

I wanna thank and welcome all my 800 (omg) new followers to my tumblr, and everybody who helped to reblog my work.  I’m floored by the response to my last picture.  I hope this blog will live up to your expectations.
If you’re new here, you can expect lots of …this.  Also other art, educational things and, hopefullysomeday bits of my own original story.  

nillia:

I wanna thank and welcome all my 800 (omg) new followers to my tumblr, and everybody who helped to reblog my work.  I’m floored by the response to my last picture.  I hope this blog will live up to your expectations.

If you’re new here, you can expect lots of …this.  Also other art, educational things and, hopefullysomeday bits of my own original story.  

(via ineloquent-tumbling)